Nigerian writer (1930-2013)
Despite the daunting problems of identity that beset our contemporary society, we can see in the horizon the beginnings of a new relationship between artist and community which will not flourish like the mango-trick in the twinkling of an eye but will rather, in the hard and bitter manner of David Diop's young tree, grow patiently and obstinately to the ultimate victory of liberty and fruition.
CHINUA ACHEBE
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Hopes and Impediments: Selected Essays
It's so easy to get into the same routine. A novel every two years; perhaps, improving technique. But I'm not interested in that. I'm interested in doing something fundamentally important--and therefore, it needs time. And what I've been doing, really, is avoiding this pressure to get into the habit of one novel a year. This is what is expected of novelists. And I have never been really too much concerned with doing what is expected of novelists, or writers, or artists. I want to do what I believe is important.
CHINUA ACHEBE
interview, Okike, 1990
She pouted her lips like a gun in my face.
CHINUA ACHEBE
"Misunderstanding", Collected Poems
Storytellers are a threat. They threaten all champions of control, they frighten usurpers of the right-to-freedom of the human spirit -- in state, in church or mosque, in party congress, in the university or wherever.
CHINUA ACHEBE
Anthills of the Savannah
Strange
indeed how love in other
ways so particular
will pick a corner
in that charnel-house
tidy it and coil up there, perhaps
even fall asleep--her face
turned to the wall!
CHINUA ACHEBE
Attento, Soul Brother!
The eye is not harmed by sleep.
CHINUA ACHEBE
No Longer at Ease
The reality of today, different as it is from the reality of my society one hundred years ago, is and can be important if we have the energy and the inclination to challenge it, to go out and engage with its peculiarities, with the things that we do not understand. The real danger is the tendency to retreat into the obvious, the tendency to be frightened by the richness of the world and to clutch what we always have understood.
CHINUA ACHEBE
There Was a Country: A Personal History of Biafra
The women are, of course, the biggest single group of oppressed people in the world and, if we are to believe the Book of Genesis, the very oldest.
CHINUA ACHEBE
Anthills of the Savannah
There are two streams in the minds of our people: one in which women are really oppressed and given very low status and one in which they are given very high honour, sometimes even greater honour than men, at least if not in fact, in language and metaphor.
CHINUA ACHEBE
Conversations with Chinua Achebe
When the moon is shining the cripple becomes hungry for a walk.
CHINUA ACHEBE
Things Fall Apart
But oh what beauty! What speed!
A chariot of night in panic flight
From Our Royal Proclamation of the rites
Of day! And riding out Our procession
Of fantasy We slaked an ancient
Vestigial greed shriveled by ages of dormancy
Till the eyes exhausted by glorious pageantries
Returned to rest on that puny
Legend of the life-jacket stowed away
Of all places under my seat.
CHINUA ACHEBE
Collected Poems
Come here into the hollow of my conscience
I will show you a thing or two
I will show you the heat of my love.
You know what?
I can give you babies too
Real leaders of tomorrow
Right here under the bridge
I can give you real leaders of thought.
CHINUA ACHEBE
Hopes and Impediments: Selected Essays
I have so many ideas; there are so many things that need to be done, so many possibilities, you know; one is terribly excited, but at the same time, you're almost confused, because you don't know where to begin.
CHINUA ACHEBE
interview, Okike, 1990
The singer should sing well even if it is merely to himself, rather than dance badly for the whole world.
CHINUA ACHEBE
Hopes and Impediments: Selected Essays
The triumph of the written word is often attained when the writer achieves union and trust with the reader, who then becomes ready to be drawn deep into unfamiliar territory, walking in borrowed literary shoes so to speak, toward a deeper understanding of self or society, or of foreign peoples, cultures, and situations.
CHINUA ACHEBE
There Was a Country: A Personal History of Biafra
This is not pessimism but rather casting a cold eye on things. It is only one man's story, and I think that things will go better, but difficulties exist and nothing is served by hiding them under a poetic veil or under a lyricism of the past. I am against slogans.
CHINUA ACHEBE
interview, Afrique, 1962
What really worries me is that those who are in positions of power are not really affected by what we are writing. In the moral dialogue you want to start, you really want to involve the leaders. People ask me: "Why were you so bold as to publish A Man of the People? How did you think the Government was going to take it? You didn't know there was going to be a coup?" I said rather flippantly that nobody was going to read it anyway, so I wasn't likely to be fired from my official position. It's a distressing thought that we cannot engage our leaders in the kind of moral debate we need.
CHINUA ACHEBE
interview, Sunday Nation, Jan. 15, 1967
You cannot plant greatness as you plant yams or maize. Who ever planted an iroko tree--the greatest tree in the forest? You may collect all the iroko seeds in the world, open the soil and put them there. It will be in vain. The great tree chooses where to grow and we find it there, so it is with the greatness in men.
CHINUA ACHEBE
No Longer at Ease
My theory of the uses of fiction is that benificent fiction calls into full life our total range of imaginative faculties and gives us a heightened sense of our personal, social and human reality.
CHINUA ACHEBE
Hopes and Impediments: Selected Essays
Now I think I know why gods
Are so partial to heights--to mountain
Tops and spires, to proud iroko trees
And thorn-guarded holy bombax,
Why petty household divinities
Will sooner perch on a rude board
Strung precariously from brittle rafters
Of a thatched roof
than sit squarely
On safe earth.
CHINUA ACHEBE
Collected Poems