WRITING QUOTES VII

quotations about writing

There's no such thing as perfect writing, just like there's no such thing as perfect despair.

HURAKI MURAKAMI

Hear the Wind Sing

Tags: Haruki Murakami


I'm grateful when stories come in a rush, although I keep an eye on them afterwards, to see whether they hold together. It's harder to judge the ones that took so long to finish. With those, I've lost perspective. Mostly I'm just glad that I can be done with them.

KELLY LINK

"Words by Flashlight", Sybil's Garage, June 7, 2006

Tags: Kelly Link


Read heavily in the area where you want to write. Be aware of what's selling and what's doing well but don't try to write to market trends; they are fleeting.

JEFF ABBOTT

interview, Book Browse


The art is never about what you write about. The art is about how you write about what you write about.

CHRIS ABANI

attributed, Stylistic Approaches to Nigerian Fiction

Tags: Chris Abani


When I write, I feel like an armless, legless man with a crayon in his mouth.

KURT VONNEGUT

attributed, The Biteback Dictionary of Humorous Literary Quotations

Tags: Kurt Vonnegut


When I'm writing, I am trying to find out who I am, who we are, what we're capable of, how we feel, how we lose and stand up, and go on from darkness into darkness.

MAYA ANGELOU

The Paris Review, fall 1990

Tags: Maya Angelou


Composition is a process of combination, in which thought puts together complementary truths, and talent fuses into harmony the most contrary qualities of style. So that there is no composition without effort, without pain even, as in all bringing forth. The reward is the giving birth to something living--something, that is to say, which, by a kind of magic, makes a living unity out of such opposed attributes as orderliness and spontaneity, thought and imagination, solidity and charm.

HENRI-FREDERIC AMIEL

Journal Intime

Tags: Henri-Frederic Amiel


For me, everyone I write of is real. I have little true say in what they want, what they do or end up as (or in). Their acts appall, enchant, disgust or astound me. Their ends fill me with retributive glee, or break my heart. I can only take credit (if I can even take credit for that) in reporting the scenario. This is not a disclaimer. Just a fact.

TANITH LEE

interview, Innsmouth Free Press, November 17, 2009


I consider a story merely as a frame on which to stretch my materials.

WASHINGTON IRVING

introduction, Tales of a Traveler

Tags: Washington Irving


I do everything they tell you not to. I go back and fix things as I go, otherwise I can't move forward. I don't write every day, I write in binges. I don't write drafts, what I write, fixed as I go, is pretty much what gets published. Everybody writes differently, and there are a lot of people who want everybody to write in the same way, people who have a lot invested in telling people to write a whole crappy first draft and then revise it, and so on. That absolutely doesn't work for me. I tell people there are things they can try, and things that might help, but there aren't any rules, except to do what works for you, what gets the story on the page.

JO WALTON

interview, RT Book Reviews

Tags: Jo Walton


I'm glad that I didn't have the Internet when I started writing. I started writing when I was 20 and didn't show a word of it to anyone until I was 28. I had the sense to keep it to myself. Now the temptation with blogs and such, they're just getting it out there; maybe it would have been best to keep it to themselves.

DAVID SEDARIS

interview, Bohemian, June 2009


It's not a bad thing for a man to have to live his life--and we nearly all manage to dodge it. Our first round with the Sphinx may strike something out of us--a book or a picture or a symphony; and we're amazed at our feat, and go on letting that first work breed others, as some animal forms reproduce each other without renewed fertilization. So there we are, committed to our first guess at the riddle; and our works look as like as successive impressions of the same plate, each with the lines a little fainter; whereas they ought to be--if we touch earth between times--as different from each other as those other creatures--jellyfish, aren't they, of a kind?--where successive generations produce new forms, and it takes a zoologist to see the hidden likeness.

EDITH WHARTON

"The Legend", Tales of Men and Ghosts

Tags: Edith Wharton


Only the hunger for something beyond the personal will allow a writer to break free of one major obstacle to originality -- the fear of self-revelation.

JANE HIRSHFIELD

Nine Gates: Entering the Mind of Poetry

Tags: Jane Hirshfield


Rewrite, rewrite, rewrite, don't be precious about your first draft, it's an architectural blueprint to a whole building, be your own worst critic, confront your weakness and remember it's a craft.

TOBSHA LEARNER

interview, Booktopia, February 22, 2011

Tags: Tobsha Learner


The art of writing is not, as many seem to imagine, the art of bringing fine phrases into rhythmical order, but the art of placing before the reader intelligible symbols of the thoughts and feelings in the writer's mind.

GEORGE HENRY LEWES

The Principles of Success in Literature

Tags: George Henry Lewes


The economy of a novelist is a little like that of a careful housewife who is unwilling to throw away anything that might perhaps serve its turn. Perhaps the comparison is closer to the Chinese cook who leaves hardly any part of a duck unserved.

GRAHAM GREENE

from journal kept while writing A Burnt-Out Case


The first paragraph. The last paragraph. That's where the story is going and how it's going to end. Or else you'll go off in a hundred different directions.

HUNTER S. THOMPSON

The Paris Review, fall 2000


The writer should never be ashamed of staring. There is nothing that does not require his attention.

FLANNERY O'CONNOR

attributed, Room to Write: Daily Invitations to a Writer's Life

Tags: Flannery O'Connor


The writer's joy is the thought that can become emotion, the emotion that can wholly become a thought.

THOMAS MANN

Death in Venice

Tags: Thomas Mann


To string incongruities and absurdities together in a wandering and sometimes purposeless way, and seem innocently unaware that they are absurdities, is the basis of the American art, if my position is correct.

MARK TWAIN

"How to Tell a Story"

Tags: Mark Twain