WRITING QUOTES XV

quotations about writing

Almost every author I have met who has started a novel that is not yet finished is making the same mistake: They are all bogged down at around chapter 4 or 5. Why? Because they are editing everything as they go. Dotting every T, crossing every 'i' and writing and re-writing every sentence until it is perfect. There are a few theories as to why you just can't do this but let me just be clear up front: YOU CAN'T DO THIS!

DAVID CHISLETT

"Editing Is Not Writing", Books LIVE, February 12, 2016


The industry is a terrible, cold place run by people who love to tear writers apart. Rejection is the norm, which means writing is the act of falling madly, deeply in love with your characters and story, even knowing you'll probably get your heart broken for it.

COREY MANDELL

"Beware the Writing Zombies", Huffington Post, February 25, 2016


Whether 10 or 1,000 people are listening is irrelevant. Writing is an investment in your future and your potential.

BIANCA BASS

"Why You Should Write (Even If It Feels Like Nobody Is Listening)", Huffington Post, February 29, 2016


If there is a special Hell for writers it would be in the forced contemplation of their own works.

JOHN DOS PASSOS

New York Times, October 25, 1959

Tags: John Dos Passos


Yet do not miss the moral, my good men.
For Saint Paul says that all that's written well
Is written down some useful truth to tell.
Then take the wheat and let the chaff lie still.

GEOFFREY CHAUCER

The Canterbury Tales

Tags: Geoffrey Chaucer


Journalism is a good place for any writer to start -- the retailing of fact is always a useful trade and can it help you learn to appreciate the declarative sentence. A young writer is easily tempted by the allusive and ethereal and ironic and reflective, but the declarative is at the bottom of most good writing.

GARRISON KEILLOR

"Post to the Host", July 2005


I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me -- the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.

ANAÏS NIN

diary, February 1954

Tags: Anaïs Nin


I invariably have the illusion that the whole play of a story, its start and middle and finish, occur in my mind simultaneously--that I'm seeing it in one flash. But in the working-out, the writing-out, infinite surprises happen. Thank God, because the surprise, the twist, the phrase that comes at the right moment out of nowhere, is the unexpected dividend, that joyful little push that keeps a writer going.

TRUMAN CAPOTE

The Paris Review, spring-summer 1957


For a moment, I debated whether I should tell someone about the words I'd started writing down, but I couldn't. In a way, I felt ashamed, even though my writing was the one thing that whispered okayness in my ear. I didn't speak it, to anyone.

MARKUS ZUSAK

Getting the Girl

Tags: Markus Zusak


Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.

KURT VONNEGUT

A Man Without a Country


Don't write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen.

JACK LONDON

"Getting Into Print", Editor magazine, 1903


Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.

JOHN BANVILLE

attributed, Irish Writers and Their Creative Process


I can't leave a chapter alone until I think it's as good as I can make it at that time. Often I will reach a stage, say, a third of the way into the book, where I realize there's something very wrong. Everything starts to feel shallow and false and unsatisfactory. At that stage I'll go back to the beginning. I might have written only fifty pages, but it's like a cantilever and the whole thing is getting very shaky because I haven't thought things through properly. So I'll start again and I'll write all the way through and then just keep going until it starts to get shaky again, and then I'll go back because I'll know that there's something really considerable, something deeply necessary waiting to be discovered or made. Often these are unbelievably big things. Sometimes they are things that readers will ultimately think the book is about.

PETER CAREY

The Paris Review, summer 2006

Tags: Peter Carey


In secluding himself too much from society, an author is in danger of losing that intimate acquaintance with life which is the only sure foundation of power in a writer.

CHRISTIAN NESTELL BOVEE

Intuitions and Summaries of Thought

Tags: Christian Nestell Bovee


I like that every page in every book can have a gem on it. It's probably what I love most about writing--that words can be used in a way that's like a child playing in a sandpit, rearranging things, swapping them around. They're the best moments in a day of writing -- when an image appears that you didn't know would be there when you started work in the morning.

MARKUS ZUSAK

The Book Thief


The reason I write so slowly is because I try never to leave a sentence until it's as perfect as I can make it. So there isn't a word in any of my books that hasn't been gone over 40 times.

TOM ROBBINS

"In the Creative Process with Tom Robbins; Perfect Sentences, Imperfect Universe", New York Times, December 30, 1993

Tags: Tom Robbins


In his text, the writer sets up house. Just as he trundles papers, books, pencils, documents untidily from room to room, he creates the same disorder in his thoughts. They become pieces of furniture that he sinks into, content or irritable.

THEODOR W. ADORNO

Minima Moralia


Dear Aspiring Author; Write with heart. Put that open, honest, bare soul on paper.

VICTORIA LAURIE

Twitter post, December 3, 2014

Tags: Victoria Laurie


When we attempt to articulate our tender feelings in writing, we enter an inner dialogue of self-exploration: we forage for the more precise word, the more resonant phrasing. If the writing is done with particular care and attention, there is a Goldilocks quality to it: We rustle through an assortment of terms, discarding one, perhaps as "too weak" or another "too ordinary" until we settle upon the one that is "just right". In doing so, we have discovered something about ourselves.

DANIEL GRIFFIN

"Don't Tell Him You Love Him... Put It in Writing", Huffington Post, February 15, 2016


Writing is creative, which is right brain activity. Editing is rational, logical and process/rule driven, which is left-brain activity. It seems that, if you switch consistently between the two, the creative process becomes derailed by all the rules and forms. You scare it back into the shadows.

DAVID CHISLETT

"Editing Is Not Writing", Books LIVE, February 12, 2016