WRITING QUOTES XIX

quotations about writing


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The cat sat on the mat is not a story. The cat sat on the other cat's mat is a story.

JOHN LE CARRÉ
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attributed, The Creative Compass: Writing Your Way from Inspiration to Publication


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The role of the writer is not to say what we can all say, but what we are unable to say. Most of the writing today which is called fiction contains such a poverty of language, such triteness, that it is a shrunken, diminished world we enter, poorer and more formless than the poorest cripple deprived of ears and eyes and tongue. The writer's responsibility is to increase, develop our senses, expand our vision, heighten our awareness and enrich our articulateness.

ANAÏS NIN

The Diary of Anaïs Nin


Writers aren't people exactly. Or, if they're any good, they're a whole lot of people trying so hard to be one person. It's like actors, who try so pathetically not to look in mirrors. Who lean backward trying--only to see their faces in the reflecting chandeliers.

F. SCOTT FITZGERALD

The Last Tycoon

Tags: F. Scott Fitzgerald


Fiction writers, at least in their braver moments, do desire the truth: to know it, speak it, serve it. But they go about it in a peculiar and devious way, which consists in inventing persons, places, and events which never did and never will exist or occur, and telling about these fictions in detail and at length and with a great deal of emotion, and then when they are done writing down this pack of lies, they say, There! That's the truth!

URSULA K. LE GUIN

introduction, The Left Hand of Darkness

Tags: Ursula K. Le Guin


Everybody writes a book too many.

MORDECAI RICHLER

"Sayings of the Week", The Observor, January 9, 1985

Tags: Mordecai Richler


The truth I'm trying to convey is not a startling one, it is simply a peeling away of affectation. I use whatever gift I have to get behind the façade.

ANITA BROOKNER

The Paris Review, fall 1987


I really think that reading is just as important as writing when you're trying to be a writer. Because it's the only apprenticeship we have.

JOHN GREEN

"Nov. 26th: Writing Advice (And Notes on Surnameless Tiffany)", YouTube

Tags: John Green


All good writing is swimming under water and holding your breath.

F. SCOTT FITZGERALD

undated letter to his daughter "Scottie"

Tags: F. Scott Fitzgerald


Things that you write are in some degree autobiographical, but the first thing you find out about autobiography is that it's the hardest thing in the world to write. It's hard because it's very difficult to be absolutely factual about yourself. So ... when you write, you may draw on facts from your own life, but if their not in harmony with your story, they're worse than useless. You just stumble over them.

SAUL BELLOW

Q & A at Howard Community College, February 1986


If people did not want their stories told, it would be better for them to keep away from me.

SHERWOOD ANDERSON

A Story Teller's Story

Tags: Sherwood Anderson


Well, I don't ever leave out details, in that I don't come up with information or description which I don't then use. I only ever come up with what seems to me absolutely essential to make the story work. I'm not usually an overwriter. As I revise, it's usually a matter of adding in as much vivid details as seem necessary to make the story come clear without slowing down the momentum of the story.

KELLY LINK

interview, Apex Magazine, July 2, 2013

Tags: Kelly Link


Human nature provides the lyrics, and we novelists just compose the music.

CARLOS RUIZ ZAFON

"An interview with Carlos Ruiz Zafon", Book Browse

Tags: Carlos Ruiz Zafon


Writing groups are the best things to happen to a writer since the invention of spell check. (I rely heavily on both so I would know.)

DASHA FAYVINOVA

"9 Reasons Joining A Writing Group Is One Of The Best Ways A Writer Can Grow", Bustle, February 8, 2016


In creating the strange milieu in which your story takes place, you must first understand as well as you possibly can the familiar milieu in which your own life is taking place. Until you have examined and comprehended the world around you, you can't possibly create a complex and believable imaginary world.

ORSON SCOTT CARD

How to Write Science Fiction and Fantasy


Writing, in whatever form, is your own personal progress report. There's nothing I love more than curling up with tea and reading back over my past, error-riddled posts. It's an indescribable connection that you simply can't get from a photo or memory alone. Think of it as the only true insight your future self has into you, as you are today. Blog for yourself and the rest will follow.

BIANCA BASS

"Why You Should Write (Even If It Feels Like Nobody Is Listening)", Huffington Post, February 29, 2016


I'm sympathetic with new writers who focus so much on the beginning. That's what you show friends or beta readers to see if you are just wasting your time or if there's something there. But you won't really know until you finish the whole book.

JEFF ABBOTT

"Rules of Fiction with Jeff Abbott", Suspense Magazine, January 19, 2017

Tags: Jeff Abbott


So nothing will ever be written down again. Perhaps the act of writing is necessary only when nothing happens.

KOBO ABE

The Face of Another

Tags: Kobo Abe


I think I have spoken before about the writer, the artist being a kind of dredging net going down into the rich silt of the mind, of the spirit, to bring up things that are normally out of reach or not accessible to consciousness. It's the duty of the writer -- and indeed of all artists -- to think long and deeply and to be able to drill down into those substrata so that these contents are released. Also, I think that as you drill down there is a release in all of the senses because great pressures build up in people and they don't know why. Quite often something very simple, a way of elucidating it, a way of telling the story, can release that and relieve it and make them feel, Yes, that's what is happening to me, or, This is how I feel. Then immediately one is taken off that horrible little rock of chaos where one is entirely alone and brought back into the community.

JEANETTE WINTERSON

The Paris Review, winter 1997

Tags: Jeanette Winterson


When it's going well [writing] goes terribly fast. It isn't at all surprising to write a chapter in a day, which for me is about twenty-two pages. When it's going badly, it isn't really going badly; it's just the beginning.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997


I can't leave a chapter alone until I think it's as good as I can make it at that time. Often I will reach a stage, say, a third of the way into the book, where I realize there's something very wrong. Everything starts to feel shallow and false and unsatisfactory. At that stage I'll go back to the beginning. I might have written only fifty pages, but it's like a cantilever and the whole thing is getting very shaky because I haven't thought things through properly. So I'll start again and I'll write all the way through and then just keep going until it starts to get shaky again, and then I'll go back because I'll know that there's something really considerable, something deeply necessary waiting to be discovered or made. Often these are unbelievably big things. Sometimes they are things that readers will ultimately think the book is about.

PETER CAREY

The Paris Review, summer 2006

Tags: Peter Carey