WRITING QUOTES XXIV

quotations about writing

However much the writer might long to be, in his work, simple, honest, and straightforward, these virtues are no longer available to him. He discovers that in being simple, honest, and straightforward, nothing much happens: he speaks the speakable, whereas what we are looking for is the as-yet unspeakable, the as-yet unspoken.

DONALD BARTHELME

"Not-Knowing"


Nowadays three witty turns of phrase and a lie make a writer.

GEORG CHRISTOPH LICHTENBERG

"Notebook D", Aphorisms

Tags: Georg Christoph Lichtenberg


I hate writing. I so intensely hate writing -- I cannot tell you how much. The moment I am at the end of one project I have the idea that I didn't really succeed in telling what I wanted to tell, that I need a new project -- it's an absolute nightmare. But my whole economy of writing is in fact based on an obsessional ritual to avoid the actual act of writing.

SLAVOJ ZIZEK

Conversations with Zizek

Tags: Slavoj Zizek


You must write according to your feelings, be sure those feelings are true, and let everything else go hang.

JULIAN BARNES

Flaubert's Parrot

Tags: Julian Barnes


That writer who aspires to immortality, should imitate the sculptor, if he would make the labours of the pen as durable as those of the chisel. Like the sculptor, he should arrive at ultimate perfection, not by what he adds, but by what he takes away.

CHARLES CALEB COLTON

Lacon


The greater the length, the more beautiful will the piece be by reason of its size, provided that the whole be perspicuous.

ARISTOTLE

Poetics

Tags: Aristotle


Writing is a weird thing because we can read, we know how to write a sentence. It's not like a trumpet where you have to get some skill before you can even produce a sound. It's misleading because it's hard to make stories. It seems like it should be easy to do but it's not. The more you write, the better you're going to get. Write and write and write. Try not to be hard on yourself.

GAIL CARSON LEVINE

interview, RIF Reading Planet

Tags: Gail Carson Levine


I didn't do anything as active as deciding that I wanted to be a writer. For one thing, I didn't feel like I was the final authority on whether or not I was anything like a writer. (I'm a timid soul.) I just kept writing stories, because becoming a veterinarian seemed as if it involved too much dissection.

KELLY LINK

"Words by Flashlight", Sybil's Garage, June 7, 2006

Tags: Kelly Link


You have an idea in mind of what you want to achieve when you sit down to write something. It takes many years to accept that you will always fall short of that. Maybe now I can write the book that I might have had in mind five or twenty years ago. You're always lagging behind your best ideas.

TOBIAS WOLFF

The Missouri Review, 2003


I've increasingly been interested in leaving gaps and unresolved elements within a novel, trying to escape from the model of the novel as something in which there is a secret that, when revealed, will make all clear. It seems to me too unlike life, too convenient, too fictional.

ALAN HOLLINGHURST

The Paris Review, winter 2011


I'm a pretty autobiographical writer. I like a high ratio of true events to made-up events or rearranged events. I've always felt that if you think you can find a way to tell the truth and keep the fictional flux going, it's at least a good idea to try, because very often the truth is more interesting than the posed picture, the tableau. The messiness of truth is a useful corrective.

NICHOLSON BAKER

The Paris Review, fall 2011

Tags: Nicholson Baker


My plots are always rudimentary. Whatever I've accomplished certainly does not depend on my virtuosity with plot. Generally I don't even have a plot. What happens is that my characters engage in an action, and out of that action little bits of plot sometimes adhere to the narrative. I never have to worry about lifting a plot, because I don't conceive of a book that way.

NORMAN MAILER

The Paris Review, winter-spring 1964


It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997

Tags: John le Carré


Crossing out is an art that is, perhaps, even more difficult than writing. It requires the sharpest eye to decide what is superfluous and must be removed. And it requires ruthlessness toward yourself -- the greatest ruthlessness and self-sacrifice. You must know how to sacrifice parts in the name of the whole.

YEVGENY ZAMYATIN

Theme and Plot

Tags: Yevgeny Zamyatin


Nothing is more clear than that every plot, worth the name, must be elaborated to its dénouement before any thing be attempted with the pen. It is only with the dénouement constantly in view that we can give a plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points, tend to the development of the intention.

EDGAR ALLAN POE

"The Philosophy of Composition"

Tags: Edgar Allan Poe


The responsibility of the writer is to be a sort of demonic social critic -- to present the world and people in it as he sees it and say, "Do you like it? If you don't like it, change it."

EDWARD ALBEE

interview with Digby Diehl, 1963


A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it.

ROALD DAHL

Boy

Tags: Roald Dahl


There are three rules for writing the novel. Unfortunately, no one knows what they are.

W. SOMERSET MAUGHAM

attributed, Literary Agents: How to Get & Work with the Right One for You

Tags: W. Somerset Maugham


As for the story, whether the poet takes it ready made or constructs it for himself, he should first sketch its general outline, and then fill in the episodes and amplify in detail.

ARISTOTLE

Poetics

Tags: Aristotle


A writer never forgets the first time he accepted a few coins or a word of praise in exchange for a story. He will never forget the sweet poison of vanity in his blood and the belief that, if he succeeds in not letting anyone discover his lack of talent, the dream of literature will provide him with a roof over his head, a hot meal at the end of the day, and what he covets the most: his name printed on a miserable piece of paper that surely will outlive him. A writer is condemned to remember that moment, because from then on he is doomed and his soul has a price.

CARLOS RUIZ ZAFON

The Angel's Game

Tags: Carlos Ruiz Zafon