quotations about writing
When I taught, a lot of my students weren't big readers, so they would write something and I realized that they thought it belonged in a book. Like, they didn't know what the inside of a book looked like, you know what I mean?
DAVID SEDARIS
Oasis Magazine, June 2008
In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream.
DORIS LESSING
The New York Times, April 22, 1984
A writer can be compared to a well. There are as many kinds of wells as there are writers. The important thing is to have good water in the well, and it is better to take a regular amount out than to pump the well dry and wait for it to refill.
ERNEST HEMINGWAY
The Paris Review, spring 1958
You know, many writers really don't like to write. I think this the chief complaint of so many. They hate to write; they do it under the compulsion that makes any artist the victim he is, but they loathe the process of sitting down trying to turn thoughts into reasonable sentences.
HARPER LEE
interview with Roy Newquist, Counterpoints, 1964
[Writing is] hostile in that you're trying to make somebody see something the way you see it, trying to impose your idea, your picture. It's hostile to try to wrench around someone else's mind that way. Quite often you want to tell somebody your dream, your nightmare. Well, nobody wants to hear about someone else's dream, good or bad; nobody wants to walk around with it. The writer is always tricking the reader into listening to the dream.
JOAN DIDION
The Paris Review, fall-winter 1978
The right story needs the right telling.
JOHN GREEN
interview, Chicago Public Library
There is no ideal length, but you develop a little interior gauge that tells you whether or not you're supporting the house or detracting from it. When a piece gets too long, the tension goes out of it. That word--tension--has an animal insistence for me. A piece of writing rises and falls with tension. The writer holds one end of the rope and the reader holds the other end--is the rope slack, or is it tight? Does it matter to the reader what the next sentence is going to be?
JOHN JEREMIAH SULLIVAN
"Everything is more complicated than you think", The Economist, November 14, 2011
In the end, the secret of writing is to be a tortoise, not a hare.
JONATHAN KELLERMAN
"Novelist explains how psychology training honed his writing", USC News, February 25, 2016
Failure has been my best friend as a writer. It tests you, to see if you have what it takes to see it through.
MARKUS ZUSAK
"Why I Write", The Guardian, March 28, 2008
I decided very early that I wanted to write. But I didn't think of it as a career. I didn't even think of it as a profession.... It was the most exciting thing, the most powerful thing, the most wonderful thing to do with my life. And I didn't question if I should -- I just kept sharpening the pencils!
MARY OLIVER
The Christian Science Monitor, December 9, 1992
I would be a liar, a hypocrite, or a fool--and I'm not any of those--to say that I don't write for the reader. I do. But for the reader who hears, who really will work at it, going behind what I seem to say. So I write for myself and that reader who will pay the dues.
MAYA ANGELOU
The Paris Review, fall 1990
Theatre and publishing worship either precocious young writers or mute dead ones.
ROSEMARY JENKINSON
"Writing is not about youth but about spark", Irish Times, March 27, 2017
As a writer I want everybody to get a chance to voice their opinions. If each character thinks that they're telling the truth, then it's valid. Then at the end of the film, I leave it up to the audience to decide who did the right thing.
SPIKE LEE
"Fight the Power: Spike Lee on Do the Right Thing", Rolling Stone, June 20, 2014
The artist deals with what cannot be said in words. The artist whose medium is fiction does this in words. The novelist says in words what cannot be said in words.
URSULA K. LE GUIN
introduction, The Left Hand of Darkness
Getting even is one great reason for writing.... But getting even isn't necessarily vicious. There are two ways of getting even: one is destructive and the other is restorative. It depends on how the scales are weighted.
WILLIAM H. GASS
The Paris Review, summer 1977
From the moment I start a new novel, life's just one endless torture. The first few chapters may go fairly well and I may feel there's still a chance to prove my worth, but that feeling soon disappears and every day I feel less and less satisfied. I begin to say the book's no good, far inferior to my earlier ones, until I've wrung torture out of every page, every sentence, every word, and the very commas begin to look excruciatingly ugly. Then, when it's finished, what a relief! Not the blissful delight of the gentleman who goes into ecstasies over his own production, but the resentful relief of a porter dropping a burden that's nearly broken his back ... Then it starts all over again, and it'll go on starting all over again till it grinds the life out of me, and I shall end my days furious with myself for lacking talent, for not leaving behind a more finished work, a bigger pile of books, and lie on my death-bed filled with awful doubts about the task I've done, wondering whether it was as it ought to have been, whether I ought not to have done this or that, expressing my last dying breath the wish that I might do it all over again!
ÉMILE ZOLA
The Masterpiece
When I sit down to write, I have a lot to write, but beforehand, I don't. I'm not full of ideas. Writing is the way I think.
ADAM PHILLIPS
Bomb Magazine, fall 2010
I've increasingly been interested in leaving gaps and unresolved elements within a novel, trying to escape from the model of the novel as something in which there is a secret that, when revealed, will make all clear. It seems to me too unlike life, too convenient, too fictional.
ALAN HOLLINGHURST
The Paris Review, winter 2011
Even though language has its richness the relationship between language and the writer is always like a stone and you have to make the stone human.
CARMEN BOULLOSA
Journal of Latin American Cultural Studies, Vol. 4, No. 2, 1995
You become a serious novelist by living long enough.
DON DELILLO
Conversations with Don DeLillo