quotations about writing
Writing is a kind of centering, a kind of meditation. I find it to be profoundly rewarding. Actually, I'm an addict. If I go too long, and so far that hasn't been longer than a week, I start to feel unsettled, nervous. I begin to feel that I'm not engaged, a disconnection is threatening my world, that I'm being passed by and I'm both failing myself and the world by not writing about it.
WALTER BARGEN
"An interview with Walter Bargen, first poet laureate of Missouri"
What writers do is they tell their own story constantly through other people's stories. They imagine other people, and those other people are carrying the burden of their struggles, their questions about themselves.
TOBIAS WOLFF
Fiction Writers Review, April 5, 2009
I like to have a hero a little underpowered. I mean, Spiderman is far cooler than Superman. How do you challenge Superman?
PATRICIA BRIGGS
interview, Bitten by Books, March 30, 2010
Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write.
MARTIN AMIS
The Paris Review, spring 1998
I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike.
MARTIN AMIS
The Paris Review, spring 1998
To refer even in passing to unpublished or struggling authors and their problems is to put oneself at some risk, so I will say here and now that any unsolicited manuscripts or typescripts sent to me will be destroyed unread. You must make your way yourself. Why you should be so set on the nearly always disappointing profession is a puzzling question.
KINGSLEY AMIS
The Amis Collection: Selected Non-fiction
It's a principle of mine to come into the story as late as possible, and to tell it as fast as you can.
JOHN LE CARRÉ
interview, The Paris Review, summer 1997
I'm sympathetic with new writers who focus so much on the beginning. That's what you show friends or beta readers to see if you are just wasting your time or if there's something there. But you won't really know until you finish the whole book.
JEFF ABBOTT
"Rules of Fiction with Jeff Abbott", Suspense Magazine, January 19, 2017
I think I have spoken before about the writer, the artist being a kind of dredging net going down into the rich silt of the mind, of the spirit, to bring up things that are normally out of reach or not accessible to consciousness. It's the duty of the writer -- and indeed of all artists -- to think long and deeply and to be able to drill down into those substrata so that these contents are released. Also, I think that as you drill down there is a release in all of the senses because great pressures build up in people and they don't know why. Quite often something very simple, a way of elucidating it, a way of telling the story, can release that and relieve it and make them feel, Yes, that's what is happening to me, or, This is how I feel. Then immediately one is taken off that horrible little rock of chaos where one is entirely alone and brought back into the community.
JEANETTE WINTERSON
The Paris Review, winter 1997
You do have a leash, finally, as a writer. You're holding a dog. You let the dog run about. But you finally can pull him back. Finally, I'm in control. But the great excitement is to see what happens if you let the whole thing go. And the dog or the character really runs about, bites everyone in sight, jumps up trees, falls into lakes, gets wet, and you let that happen. That's the excitement of writing plays--to allow the thing to be free but still hold the final leash.
HAROLD PINTER
The Progressive, March 2001
All good writing is swimming under water and holding your breath.
F. SCOTT FITZGERALD
undated letter to his daughter "Scottie"
One forges one's style on the terrible anvil of daily deadlines.
EMILE ZOLA
Le Figaro
The responsibility of the writer is to be a sort of demonic social critic -- to present the world and people in it as he sees it and say, "Do you like it? If you don't like it, change it."
EDWARD ALBEE
interview with Digby Diehl, 1963
I met a young woman the other day, and she said, what advice would you have for a writer, and I said it would be to work every day. But then she said, and how do you get to know someone like Ira Glass? And I said, that's not the point. You don't befriend people for that reason. I was just lucky and Ira happened to be in a place where I was reading one night and heard me read. I didn't invite him to come there. If I had gone out of my way to invite him, he probably wouldn't have come. Your job is to write. The rest of it will take care of itself. But, generally, it seems ... you know how that is, you meet people and they have a talent for self-promotion. Those are the pushy people. And you know their writing's not going to be any good, because that's not their talent.
DAVID SEDARIS
Oasis Magazine, June 2008
If there is an occupational hazard to writing, it's drinking.
CORMAC MCCARTHY
New York Times, April 19, 1992
Crossing out is an art that is, perhaps, even more difficult than writing. It requires the sharpest eye to decide what is superfluous and must be removed. And it requires ruthlessness toward yourself -- the greatest ruthlessness and self-sacrifice. You must know how to sacrifice parts in the name of the whole.
YEVGENY ZAMYATIN
Theme and Plot
Nothing can destroy the good writer. The only thing that can alter the good writer is death. Good ones don't have time to bother with success or getting rich.
WILLIAM FAULKNER
The Paris Review, spring 1956
To write weekly, to write daily, to write shortly, to write for busy people catching trains in the morning or for tired people coming home in the evening, is a heartbreaking task for men who know good writing from bad. They do it, but instinctively draw out of harm's way anything precious that might be damaged by contact with the public, or anything sharp that might irritate its skin.
VIRGINIA WOOLF
The Common Reader
At the age of fourteen I discovered writing as an escape from a world of reality in which I felt acutely uncomfortable.
TENNESSEE WILLIAMS
foreword, Sweet Bird of Youth
If you don't have the time to read, you don't have the time or the tools to write.
STEPHEN KING
On Writing