WRITING QUOTES XVIII

quotations about writing

There is only one way to make money at writing, and that is to marry a publisher's daughter.

GEORGE ORWELL

Down and Out in Paris and London

Tags: George Orwell


Any writer of any worth at all hopes to play only a pocket-torch of light -- and rarely, through genius, a sudden flambeau -- into the bloody yet beautiful labyrinth of human experience, of being.

NADINE GORDIMER

Nobel Lecture, December 7, 1991

Tags: Nadine Gordimer


Writers are greatly respected. The intelligent public is wonderfully patient with them, continues to read them, and endures disappointment after disappointment, waiting to hear from art what it does not hear from theology, philosophy, social theory, and what it cannot hear from pure science. Out of the struggle at the center has come an immense, painful longing for a broader, more flexible, fuller, more coherent, more comprehensive account of what we human beings are, who we are and what this life is for.

SAUL BELLOW

Nobel lecture, December 12, 1976

Tags: Saul Bellow


Writing is a job, a talent, but it's also the place to go in your head. It is the imaginary friend you drink your tea with in the afternoon.

ANN PATCHETT

Truth and Beauty

Tags: Ann Patchett


Writers cannot let themselves be servants of the official mythology. They have to, whatever the cost, say what truth they have to say.

TOBIAS WOLFF

Continuum, summer 1998

Tags: Tobias Wolff


He that writes to himself, writes to an eternal public.

ELIZA COOK

Diamond Dust

Tags: Eliza Cook


All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel.

MARGARET ATWOOD

The Blind Assassin

Tags: Margaret Atwood


Many great writers address audiences who do not exist; to address passionately and sometimes with very great wisdom people who do not exist has this advantage--that there will always be a group of people who, seeing a man shouting apparently at somebody or other, and seeing nobody else in sight, will think it is they who are being addressed.

WYNDHAM LEWIS

The Art of Being Ruled

Tags: Wyndham Lewis


In a very real way, one writes a story to find out what happens in it. Before it is written it sits in the mind like a piece of overheard gossip or a bit of intriguing tattle. The story process is like taking up such a piece of gossip, hunting down the people actually involved, questioning them, finding out what really occurred, and visiting pertinent locations. As with gossip, you can't be too surprised if important things turn up that were left out of the first-heard version entirely; or if points initially made much of turn out to have been distorted, or simply not to have happened at all.

SAMUEL R. DELANY

The Jewel-Hinged Jaw


If you over-plot your book you strangle your characters. Your characters have to have enough freedom and life to be able to surprise you.

ALAN LIGHTMAN

interview, Identity Theory, November 16, 2000

Tags: Alan Lightman


Fictional characters are made of words, not flesh; they do not have free will, they do not exercise volition. They are easily born, and as easily killed off.

JOHN BANVILLE

attributed, Irish Writers and Their Creative Process


In the very act of writing I felt pleased with what I did. There was the pleasure of having words come to me, and the pleasure of ordering them, re-ordering them, weighing one against another. Pleasure also in the imagination of the story, the feeling that it could mean something. Mostly I was glad to find out that I could write at all. In writing you work toward a result you won't see for years, and can't be sure you'll ever see. It takes stamina and self-mastery and faith. It demands those things of you, then gives them back with a little extra, a surprise to keep you coming. It toughens you and clears your head. I could feel it happening. I was saving my life with every word I wrote, and I knew it.

TOBIAS WOLFF

In Pharaoh's Army


Without a pen in my hand I can't think.

JOHN LE CARRÉ

interview, The Paris Review, summer 1997

Tags: John le Carré


The cat sat on the mat is not a story. The cat sat on the other cat's mat is a story.

JOHN LE CARRÉ

attributed, The Creative Compass: Writing Your Way from Inspiration to Publication


The writer must be universal in sympathy and an outcast by nature: only then can he see clearly.

JULIAN BARNES

Flaubert's Parrot

Tags: Julian Barnes


You keep working on your piece over and over, trying to get the sections and paragraphs and sentences and the whole just right, but there's a point at which you can tell you've begun hurting the work with your perfectionism. Then you have to release the work to new eyes.

ANNE LAMOTT

"Q&A: Anne Lamott", San Diego Magazine, January 27, 2014

Tags: Anne Lamott


I never write in the daytime. It's like running through the shopping mall with your clothes off. Everybody can see you. At night ... that's when you pull the tricks ... magic.

CHARLES BUKOWSKI

Interview Magazine, September 1987

Tags: Charles Bukowski


Nothing is more clear than that every plot, worth the name, must be elaborated to its dénouement before any thing be attempted with the pen. It is only with the dénouement constantly in view that we can give a plot its indispensable air of consequence, or causation, by making the incidents, and especially the tone at all points, tend to the development of the intention.

EDGAR ALLAN POE

"The Philosophy of Composition"

Tags: Edgar Allan Poe


To write is to act.

HENRI-DOMINIQUE LACORDAIRE

Letters to Young Men

Tags: Henri-Dominique Lacordaire


I really think that reading is just as important as writing when you're trying to be a writer. Because it's the only apprenticeship we have.

JOHN GREEN

"Nov. 26th: Writing Advice (And Notes on Surnameless Tiffany)", YouTube

Tags: John Green